The first shot we see in Sofia Coppola’s film is that of Priscilla’s perfectly manicured, bare feet sinking into a pink shag carpet....

There comes a time when I just have to admit to myself that there are certain characters, storytelling devices, thematic elements and...

You can read Part 1 of my interview with Gavin Friday about "Peter and the Wolf" here on RogerEbert.com Since what follows doesn't quite...

[[WARNING: SPOILER'S THROUGHOUT]] U2’s Zoo TV Tour in 1992-93–or more specifically, Bono’s alter-ego characters–fulfilled many...

“And the stars look very different today…” So goes the David Bowie song that will never not sound weird coming out of an Indiana Jones...

I’ll never forget seeing the original “The Little Mermaid” for the first time back in 1989 at the Randhurst Theater where I worked at the...

I guess I should first qualify this review by letting you know where I stand with the “Fast and the Furious” saga as a whole: I’ve seen...

A true artist never stops. They just get interrupted. Kelly Reichardt’s “Showing Up” takes place in the art world where students and...

“Renfield,” the movie, wants love and so does Renfield himself. In the movie, Renfield joins a group therapy session designed to help...

When Roger Ebert reviewed (and panned) “U2: Rattle and Hum” on Siskel & Ebert and The Movies back in 1988, he rightfully complained that...

The first "John Wick" movie has a simplicity that almost seems unrecognizable next to its sequels, but it's that simplicity that almost...